In 1799, Goya became Primer Pintor de Cámara (Prime Court Painter), the highest rank for a Spanish court painter. He was appointed Director of the Royal Academy in 1795, the year Manuel Godoy made an unfavorable treaty with France.

His later easel and mural paintings, prints and drawings appear to reflect a bleak outlook on personal, social and political levels, and contrast with his social climbing. He had a severe and undiagnosed illness in 1793 which left him deaf, after which his work became progressively darker and pessimistic. He was guarded, and although letters and writings survive, little is known about his thoughts. Goya became a court painter to the Spanish Crown in 1786 and this early portion of his career is marked by portraits of the Spanish aristocracy and royalty, and Rococo-style tapestry cartoons designed for the royal palace. Their life was characterised by a series of pregnancies and miscarriages, and only one child, a son, survived into adulthood. He studied painting from age 14 under José Luzán y Martinez and moved to Madrid to study with Anton Raphael Mengs. Goya was born to a middle-class family in 1746, in Fuendetodos in Aragon. Goya is often referred to as the last of the Old Masters and the first of the moderns. His paintings, drawings, and engravings reflected contemporary historical upheavals and influenced important 19th- and 20th-century painters. He is considered the most important Spanish artist of the late 18th and early 19th centuries. Francisco José de Goya y Lucientes ( / ˈ ɡ ɔɪ ə/ Spanish: 30 March 1746 – 16 April 1828) was a Spanish romantic painter and printmaker.

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